Who is Troy Gregory?
I was standing at the back of St. Andrews Hall in downtown Detroit, surrounded by my Electric Six loving brethren, sipping a beer and searching the walls for posters. The opening band had just finished up. I actually liked their set, too, which is a small miracle for opening acts. The lead singer was a little mealy-mouthed and the keyboardist was decidedly uninterested in what was going on but hey, it's rock. Those were probably choices.
My sister and I wandered around the hall in between sets, collecting what evidence we could to help us piece together the mystery of the opening act. We checked by the bar, a long classic wooden affair running the length of the west side of the hall, and by the pop-up merch tables on the opposite side of the room. Nothing but t-shirts, and none for the act that had just left the stage.
Finally, I resorted to desperately searching the Internet from my phone, looking for some trace of information that would lead me to an answer. My sister, watching me as I stared into my palm for ten minutes straight, suggested that I maybe, you know, ask somebody who worked there.
“No. I’m going to figure this out, and I’m going to do it without talking to anyone.”
“Are you sure?” she asked. “Because you could just ask him.”
I spun around to see the mealy-mouthed lead singer leaving the stage door, lugging a guitar and some other assorted equipment with him. It seemed there was no other way to figure it out, so I broke down. Given the situation, I kind of had to talk to him now, right?
“Hey! I really liked your set!”
“Oh, thanks!” he said, flipping his scraggly hair to the side to look at me. Once he decided I wasn’t a threat, he set his guitar down and extended his hand. “Troy Gregory!”
“I’m Nat. This is my sister. Yeah we really liked that. What’s your band’s name?”
“Troy Gregory” he said, smiling.
I wasn’t sure if he hadn’t heard me, given the noise from the thumping soul music the house was playing while the next band set up. “Right, I’m Nat Topping. What’s your band’s name?”
“Troy Gregory. That’s it. It’s my name.”
“Oh. Awesome.”
You get that sometimes at the smaller concert halls. You go to an arena or a stadium or something and you’re going to have to snoop around and hope to find where the band enters and exits the building. Here? They just come out through the hall. They carry their instruments through the crowds. They sidle up to the bar and have a beer. Even if their name is Troy Gregory and they have their own Wikipedia page!
It’s like they’re actual people.
St. Andrews is about a big a venue you can get while still keeping that same feeling of closeness. Now that I’ve moved away from the Detroit area, I’ve come to regret not taking better advantage of the place. I grew up in the suburbs next to a gigantic concert venue that I stubbornly call ‘Pine Knob’ despite the fact that it now has a shiny new corporately-funded name. For me, concerts were always something to witness from the lawn at the way back, and the performers were barely seen at all even when they were on stage. I remember casually watching what I supposed was Weezer (at least that’s what the tickets claimed) doing what I imagined to be something remotely musical down at the bottom of the bowl and that’s pretty much all I remember.
Only later did I come to appreciate the claustrophobic feeling of The Blind Pig and places of its ilk, of plastering yourself up against a stage with a bunch of other sweaty bastards and losing your collective minds. St. Andrews must certainly have been the place to do just that when I was growing up, and it’s a shame I missed out on it for so long.
But that’s partly the point of the Baedekerer, isn’t it? To catch some of what I missed.You might not normally think to associate the devil's music with a saint, much less the brother of St. Peter. Yet there he is in cartoon form plastered to the back wall of the stage, his saltire cradled between his arms, a cigar butt hanging from his mouth.
The hall itself takes it's name from the St. Andrew's Society of Detroit, a benevolent society of do-gooders of Scottish descent who like so many other organizations fled downtown Detroit. Starting in the early 1980s, the former meeting place began hosting bands and voila. The building has hosted everyone who is anyone from the Detroit music world (INSANE CLOWN POSSE WHAT UP), and even has a basement venue called The Shelter where Eminem got his start. You know, the guy from that Chrysler commercial a while back.
Electric Six, also a Detroit band, was awesome. I highly recommend them, particularly live. And if you have a chance to say hi to a performer, I highly recommend that too. If you're lucky, they might have their own Wikipedia page!
I know. It's like I'm famous now.
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There he is! St. Andrew! Photo courtesy of Wunderphone. |
ST ANDREW'S HALL
431 E Congress, a block or two west of I-375
Detroit, MI
Phone: 312-961-8961
Website here.
In brief:
Music? Awesome - No accounting for taste, but I quite like my selection in bands
Drink? Good selection of beers, hard liquor, etc.
Cost? Tickets were cheap, beer wasn't any more expensive than you would expect at a show.
Atmosphere? Good. There's a cartoon St. Andrew on the wall for chrissake.
Haunt-worthy? Yes.
Do You Approve? Yes.